United States
Mary Turner Salter
Born in Peoria, Illinois, Mary Turner Salter went to high school just across the Mississippi River in Burlington, Iowa, before moving east to study music
Germany
Clara Faisst
Clara Faisst was a composer, pianist, and poet who spent the bulk of her life in Karslbad, Germany. In her twenties she studied music in
United States
Mary Howe
Mary Howe was an American pianist and composer. In 1922, at the age of forty, married with three children, she completed an artist diploma in
France
Lili Boulanger
Lili Boulanger had a tragically short life. She died at age twenty-four from intestinal tuberculosis, and spent much of her life in poor health, having
United States
Undine Smith Moore
Undine Smith Moore was a composer and educator who left a lasting impact on twentieth-century music. For over forty years she taught music theory, piano,
Ireland
Ina Boyle
Until recently, the name Ina Boyle was something of an enigma. Although she was one of the most prolific composers in Ireland during the first
United States
Sarah Kirkland Snider
Sarah Kirkland Snider is one of the most inventive and prolific composers working today. Her music spans a diverse range of genres—orchestral, chamber, choral, operatic,
Germany
Pauline Decker
Pauline Decker (née von Schätzel) was a German opera singer who published about thirty songs later in her life. Born into a distinguished musical family—her
Germany
Marie Franz
Marie Franz published one opus of six songs in 1846, under her maiden name Hinrichs, and then, after marrying the composer Robert Franz, stopped writing
England
Dame Ethel Smyth
Dame Ethel Smyth was a British composer, writer, and social activist who made significant contributions to many musical genres. A tireless advocate for her own
France
Mel Bonis
Mélanie Bonis’s life story is one of perseverance and talent overcoming all manner of obstacles. She grew up in a middle-class home with parents who
England
Dame Elizabeth Maconchy
Elizabeth Maconchy was a fiercely individual Irish-English composer who wrote music that was often highly dissonant, contrapuntal, intense, even disturbing—and far from the more pastoral,