
Elise Schmezer
Elise Schmezer was a singer, pianist, and composer who published about forty songs between 1848 and 1856. Little is known about her life. She was

Elise Schmezer was a singer, pianist, and composer who published about forty songs between 1848 and 1856. Little is known about her life. She was

Clara Faisst was a composer, pianist, and poet who spent the bulk of her life in Karslbad, Germany. In her twenties she studied music in

Mary Howe was an American pianist and composer. In 1922, at the age of forty, married with three children, she completed an artist diploma in

Joaquín Rodrigo was one of the most significant figures in 20th-century Spanish music. A gifted composer, pianist, academic, and music critic, he cultivated a neoclassical

Pauline Decker (née von Schätzel) was a German opera singer who published about thirty songs later in her life. Born into a distinguished musical family—her

Connie Converse was one of the first singer-songwriters, but she toiled in obscurity, and her music didn’t become widely known until the first decade of

Josephine Lang was a prolific composer of songs. She was born into a deeply musical family—her father was a violinist and her mother (who first

Fanny Hensel was one of the most prolific and original song composers of the nineteenth century. She composed almost 250 songs, among which are some

Rodrigo Ruiz is a Mexican-American composer who writes vocal, chamber, and orchestral music that has been described as “unabashedly tonal.” His music sounds by turns

Precious little is known about the German composer Marie von Kehler. We have more music by her than documentary information about her. She was born

Mary Wurm was a pianist and composer, born in England to German parents. She grew up in a musical family: her father was a music

Rebecca Clarke was one of most distinguished and gifted British composers in the first half of the 20th century. Born to an American father and

Elizabeth Maconchy was a fiercely individual Irish-English composer who wrote music that was often highly dissonant, contrapuntal, intense, even disturbing—and far from the more pastoral,
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