Germany
Marie von Kehler
Precious little is known about the German composer Marie von Kehler. We have more music by her than documentary information about her. She was born
Our Composers
England
Mary Wurm
Mary Wurm was a pianist and composer, born in England to German parents. She grew up in a musical family: her father was a music
Germany
Marie Franz
Marie Franz published one opus of six songs in 1846, under her maiden name Hinrichs, and then, after marrying the composer Robert Franz, stopped writing
England
Rebecca Clarke
Rebecca Clarke was one of most distinguished and gifted British composers in the first half of the 20th century. Born to an American father and
England
Samuel Coleridge-Taylor
Samuel Coleridge-Taylor was an acclaimed British conductor and composer. The son of an Englishwoman and a man from Sierra Leone, he showed great musical talent
France
Nadia Boulanger
Nadia Boulanger was one of the most renowned composition teachers of the twentieth century—or of any century. Her students are a who’s who of famous
Video Recordings
The music by these composers has not been recorded very often, in some cases not at all. This is why one of the purposes of the ASA is to offer quality video recordings of this overlooked repertoire.
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Fanny Hensel’s op. 1 (a collection of six songs) was published in the summer of 1846, less than a year before she died of a stroke at the age of 41.
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Marie Vespermann appeared in public concerts as young as age nine and began composing songs at age twelve.
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Marie Franz composed a stirring setting of Goethe’s poem “Meine Ruh ist hin,” which is even more turbulent than Franz Schubert’s immortal 1814 setting of the same text — “Gretchen am Spinnrade.”
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Mary Wurm was a gifted piano teacher. In 1914, she published a collection of music designed for the teaching of preschool-age children, The ABCs of Music (Das ABC der Musik).
Stephen Rodgers is the Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the University of Oregon, where he has been teaching since 2005. Rodgers’s research focuses on the relationship between music and poetry in art songs from the nineteenth century to the present day, especially art songs by underrepresented composers.