Art
Song
An online forum devoted to art songs by underrepresented composers whose music has been marginalized.

Our Composers

United States

Mary Turner Salter

Born in Peoria, Illinois, Mary Turner Salter went to high school just across the Mississippi River in Burlington, Iowa, before moving east to study music at the New England Conservatory of Music in Boston. She was a gifted mezzo-soprano and pianist, and she sang professionally in Boston and New York

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Austria

Elise Schmezer

Elise Schmezer was a singer, pianist, and composer who published about forty songs between 1848 and 1856. Little is known about her life. She was born around 1810—where she was born, however, isn’t clear—and she grew up in Graz, Austria. Her father taught trumpet, French horn, and trombone at a

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Mexico

Rodrigo Ruiz

Rodrigo Ruiz is a Mexican-American composer who writes vocal, chamber, and orchestral music that has been described as “unabashedly tonal.” His music sounds by turns like Beethoven, Bach, Schubert, and Brahms. But Ruiz isn’t trying to mimic the styles of these composers, as a fledgling painter might mimic the work

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Spain

Joaquín Rodrigo

Joaquín Rodrigo was one of the most significant figures in 20th-century Spanish music. A gifted composer, pianist, academic, and music critic, he cultivated a neoclassical style that blended Classical idioms with the rhythms, textures, and colors of Spanish music; he wrote music that was, in his words, “faithful to tradition.” 

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England

Rebecca Clarke

Rebecca Clarke was one of most distinguished and gifted British composers in the first half of the 20th century. Born to an American father and a German mother, she learned the violin at a young age, later switching to viola at the suggestion of the composer Charles Villiers Stanford, with

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France

Nadia Boulanger

Nadia Boulanger was one of the most renowned composition teachers of the twentieth century—or of any century. Her students are a who’s who of famous musicians, spanning seven decades: Virgil Thomson, Marion Bauer, Aaron Copland, Elliot Carter, Quincy Jones, Thea Musgrave, Philip Glass, and John Eliot Gardiner, to name only

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Video Recordings

The music by these composers has not been recorded very often, in some cases not at all. This is why one of the purposes of the ASA is to offer quality video recordings of this overlooked repertoire.

Did You Know?

Look out for the question mark icons on this website to find out the little-known but fascinating facts about our composers.
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Fanny Hensel’s op. 1 (a collection of six songs) was published in the summer of 1846, less than a year before she died of a stroke at the age of 41.

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Marie Vespermann appeared in public concerts as young as age nine and began composing songs at age twelve.

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Marie Franz composed a stirring setting of Goethe’s poem “Meine Ruh ist hin,” which is even more turbulent than Franz Schubert’s immortal 1814 setting of the same text — “Gretchen am Spinnrade.”

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Mary Wurm was a gifted piano teacher. In 1914, she published a collection of music designed for the teaching of preschool-age children, The ABCs of Music (Das ABC der Musik).

ASA Creator

Stephen Rodgers is the Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the University of Oregon, where he has been teaching since 2005. Rodgers’s research focuses on the relationship between music and poetry in art songs from the nineteenth century to the present day, especially art songs by underrepresented composers.

Verse & Music

Join Stephen as he explores how composers transform words into songs in his podcast Resounding Verse.